Indeed, the book is the representative of the society in Britain in the late 18 th century and the early 19 th century. It concludes the stratum situation and economic relationships in Britain in her era. People always think that Austen was an expert at telling love stories. In fact, the marriage in her book is not the result of love, but the result of economic needs.
Jane Austen’s Most Widely Mocked Character is Also Her Most Subversive
After reading this book, everyone will go to think deeply about what love is and what marriage is. Jane Austen weaved four marriages in Pride and Prejudice. The four marriages are all different from each other. Through these different marriages, Jane Austen showed us the true social problems and characteristics of that time, and implied her own values of marriage. In the novel, when the homely and plain Charlotte decided to marry Collins, she was only satisfied, without thinking highly either of men or of matrimony, marriage had always been her object, and we can see it was the only honorable provision for well-educated young women of small fortune.
In fact what Charlotte asks is only a comfortable shatter, a higher social position and a better wealth. I never was. I ask only a comfortable home; and considering Mr. For Collins, he is a man who does not know what love is at all.
When Mr. What he needs is just a wife who helps him not to be a single man any longer. We know that, in the novel, Lydia, as Mr.
Wickham, he has no other advantage except for his attractive physical appearance. In his opinion, love is just recreation. Due to he was trouble with a large debt, he entices Lydia and gets her love easily. When their love does not get the permission from the parents, they elope. When Elizabeth hears the news, she believes that their love does not have a happy ending. Indeed, Wickham would not marry Lydia, because she was no charming and has nothing to attract him. He does not love her but the wealth of her family.
Jane was the oldest of Mr. Bennet daughter, a pretty girl of sweet and gentle disposition. Bingley was an immediate success in local society. At the first ball, Jane has a good impression of Bingley, and it is the same to Bingley. They were attracted to each other at once. For Bingley, he had a good temper. He was so modest and had no opinion about his own marriage. Because Mr. Under the influences of his sisters and Mr.
Even Bingley is apparently on the point of proposing to Jane. They love each other. But as time goes by, Darcy began to admire Elizabeth in spite of himself. For Elizabeth, love is the most important element of marriage. She does not accept a marriage which is not based on love.
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She does not love Collins, so she refused the future heir to the manor and the wealth. And at first she thought Darcy was too arrogant, so she also refused the wealthy gentleman.
Pride and Prejudice and the idea of love | TeachingEnglish | British Council | BBC
We can see a rational and intelligent girl in the novel, who is just Elizabeth. As they knowing each other further and further, Elizabeth cleared the misunderstanding between them, and Mr. Darcy see the disadvantages in himself, they fell in love with each other on the basis of love. This is the best ending for them. As a most well-known female writer in the history of English literature, was born in Steventon on December 16, And she lived peacefully in a small social circle all her life.
She was the youngest of seven children in her family. She received most of her education at home. Her family are all fond of reading books, which influenced her very much. Her reading extended little beyond the literature of the 18 th century, and within that period she admired Dr. Johnson particularly. Later she was delighted with both the poetry and prose of Scott, she died on July 18 th and she never married. Austen was buried in the cathedral in Winchester Kaplan, In all her novels, the love affairs and marriages of young people, though serious and sympathetic, is subdued by humor to the ordinary way of narration, in which most of us live.
Afterward, a stricken-looking student came up to me to ask if it was true.
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But my feelings toward her evolved over the years, starting in grad school, when a combination of literary theory and learning that Mary Shelley had written these rather spectacular other novels convinced me that I was wasting my time with Jane. Austen was for girls, and I was a woman. Nothing in Austen could compete with that.
They insisted there was simply no way to write a dissertation on the novel without talking about Jane so I gave in. I remember in college reading the critic F. Even back then, when I had more youthful angst than critical acumen, my gut told me the 19th-century authors that scholars canonize are those like Austen, whose fiction played with, but ultimately conformed to, the social conventions of their time. Still I was surprised by what I found, what I continue to find, in literature from that period, particularly when it comes to the inclusion of people of color.
I was late in my doctoral studies before I even stumbled upon my first black character in 19th-century British literature. They also used their fiction and poems to contribute to the debates about abolition, in concert with women who circulated petitions, raised funds for the cause, and boycotted sugar from the West Indies.
I can appreciate her skill but feel an urgent need to teach and write about these other stories. No matter how sparkling the wit of Austen and her characters, no matter the pleasure of the familiar texts, I want to spend my time and energy elsewhere, in another historical Britain, with authors like Maria Edgeworth, Hannah More, and Amelia Opie who grappled directly with the more pressing social issues of their time—not because I agree with or love the stories they tell, but because those stories show the fuller range of British culture in the s.
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